원시-기호-현대
작품 제목: 원시-기호-현대 (1)Title: Origin-Symbol-Present 원시-기호-현대 강이수 http://www.busanbiennale.org/sub01/05_fix.php?no=695amp;cat_no=703amp;seq=101310amp;type=2amp;year=2004amp;type2=3amp;type3=amp;page=1 원시-기호-현대새로운 의미의 다양한 도형을 발견하고자 하는 작가는 원시암각화의 동물형상을 작가 나름의 기호적 형상으로 재해석하고 있다. 과거와 현재의 미술을 미적 전달기호인 상형의 형상을 통해 연결하고 융합하여 현대적으로 재현하고자 하는 시도가 엿보인다. 작가는 이 작품의 자연석 부분들에 개인적인 암각화 작업을 계속하고 있다. 작가는 이와 같은 암각화 작업, 즉 개념의 암호화와 해석 작업의 반복행위를 통해서 무엇을 얻으려 하는 것일까? 그것은 혹시 주체(나)과 객체(너)와의 사이에 있는 ‘틈’을 해소하기 위한 몸부림은 아닌가? Origin-Symbol-Present Yi-Soo Kang http://www.busanbiennale.org/english/sub01/05_fix.php?no=3676amp;cat_no=737amp;seq=101310amp;type=2amp;year=2004amp;type2=3amp;type3=amp;page=3Origin-Symbol-PresentThe artist, who has been trying to provide various figures with new meanings, reinterprets animal figures found in primitive pictures carved on the wall with his own symbolic figures. The art of the past and the art of the future are connected and combined through hieroglyphic figures, which is artistic symbols for communication. Besides, the contemporary representation of the past art is sought by the artist. The sculptor has been carving continuously on the part of the natural stone in this work. What does the artist want to achieve through this continuous carving work, that is, through the repeated work of coding and interpreting of concepts? That may be the effort to get rid of the chasm between the subject(I) and the object(You) and the chasm between the past and the present and to facilitate the communication between them.◦ Work Activities- Collective Exhibition· 2003 Asian Sculpture Exhibition(Busan Metropolitan City Hall)Outdoor Sculpture Exhibition(Geumjeong-Gu Office, Busan)· 2002 Busan International Sculpture Exhibition(Busan Cultural Center)Korean-Japanese Contemporary Art Exhibition : quot;눈길의 동양, 손질의 기억 -筑豊으로부터의 발신(Tagawa Museum of Art, Fukuoka, Japan) Asian Spirit Exhibition(Busan Cultural Center) Korea-Japan quot;The circle without circumferencequot;(Kanagawa Kenminhall Gallery, Yokohama, Japan)quot;Round Worldquot;, Outdoor Sculpture Exhibition in commemoration of the opening of Asian Game 2002 (Mt. Yongdu Park, Busan) -----------------------found in primitive pictures carved on the wall with his own symbolic figures. The art of the past and the art of the future are connected and combined through hieroglyphic figures, which is artistic symbols for communication. Besides, the contemporary representation of the past art is sought by the artist. The sculptor has been carving continuously on the part of the natural stone in this work. What does the artist want to achieve through this continuous carving work, that is, through the repeated work of coding and interpreting of concepts? That may be the effort to get rid of the chasm between the subject(I) and the object(You) and the chasm between the past and the present and to facilitate the communication between them.◦ Work Activities- Collective Exhibition· 2003 Asian Sculpture Exhibition(Busan Metropolitan City Hall)Outdoor Sculpture Exhibition(Geumjeong-Gu Office, Busan)· 2002 Busan International Sculpture Exhibition(Busan Cultural Center)Korean-Japanese Contemporary Art Exhibition : quot;눈길의 동양, 손질의 기억 -筑豊으로부터의 발신(Tagawa Museum of Art, Fukuoka, Japan) Asian Spirit Exhibition(Busan Cultural Center) Korea-Japan quot;The circle without circumferencequot;(Kanagawa Kenminhall Gallery, Yokohama, Japan)quot;Round Worldquot;, Outdoor Sculpture Exhibition in commemoration of the opening of Asian Game 2002 (Mt. Yongdu Park, Busan) -----------------------found in primitive pictures carved on the wall with his own symbolic figures. The art of the past and the art of the future are connected and combined through hieroglyphic figures, which is artistic symbols for communication. Besides, the contemporary representation of the past art is sought by the artist. The sculptor has been carving continuously on the part of the natural stone in this work. What does the artist want to achieve through this continuous carving work, that is, through the repeated work of coding and interpreting of concepts? That may be the effort to get rid of the chasm between the subject(I) and the object(You) and the chasm between the past and the present and to facilitate the communication between them.◦ Work Activities- Collective Exhibition· 2003 Asian Sculpture Exhibition(Busan Metropolitan City Hall)Outdoor Sculpture Exhibition(Geumjeong-Gu Office, Busan)· 2002 Busan International Sculpture Exhibition(Busan Cultural Center)Korean-Japanese Contemporary Art Exhibition : quot;눈길의 동양, 손질의 기억 -筑豊으로부터의 발신(Tagawa Museum of Art, Fukuoka, Japan) Asian Spirit Exhibition(Busan Cultural Center) Korea-Japan quot;The circle without circumferencequot;(Kanagawa Kenminhall Gallery, Yokohama, Japan)quot;Round Worldquot;, Outdoor Sculpture Exhibition in commemoration of the opening of Asian Game 2002 (Mt. Yongdu Park, Busan) 촬영: 오용웅(오발탄 Ovaltan)촬영 일자: 2014년 10월 16일촬영 장소: 부산광역시 사하구 을숙도조각공원카메라: Nikon D90렌즈: Nikon AF NIKKOR 24mm 1:2.8이미지 조정 gt; 자동레벨 사이즈 3543 X 2353
원시-기호-현대 강이수 origin-symbol-present yi-sookang 을숙도조각공원 eulsukdosculpturepark 부산비엔날레 busanbiennale 부산조각프로젝트 busansculptureproject